“I didn’t recognize myself in these ‘too perfect’ images,” photographer Alison Bounce tells us in an interview. “Today I modify my photos slightly to compensate for the constraints of water. They are more authentic.” Alison is an underwater photographer with work that draws inspiration from paintings. Her work is simply stunning, and I found something almost romantic about it. Once we talked to her, I discovered some incredible stories.
It’s a dream for most photographers to go to Antarctica. Alison not only did that, but photographed underwater there. Can you imagine how amazing that would be?
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Editor’s Note: This story was translated with clarifications in English.
Hey, I’m Alison Bounce, Underwater Photographer and today, for lack of being able to take you underwater with me, I propose you dive in my waterproof bag! Please fasten your waist belt, spit into your mask and get comfortable in your bathtub, the underwater immersion begins now! I am regularly asked what equipment I take with me on my underwater shoots. So I’m delighted to finally be able to introduce you to my babies. Let’s start with the land equipment. Yes, I work with the same cameras I use for my wedding documentaries.
All this is coupled with 4 Canon batteries and 12 CF cards + 12 SD cards of 32 and 64go.
Now, let’s go to the wet part.
Less technical now but just essential, the accessories. This list corresponds to my best practice.
Finally, on the transport side, I use all the big luggage from Peak Design and the waterproof bags from Ortlieb and Northface. Very resistant and practical since they have wheels! The equipment being very heavy, my back still says thank you
Alison Bounce: I discovered photography in 2011 and started as a pro three years later. I quickly wanted to become a specialist. My professional activity is very anchored in my personal life. Thanks to it I travel all over the world. In ten years, I had the chance to travel all over the world. The most recent one was in Antarctica under a sailboat! I was also wading wisely in the crystalline water of the Island, for me, the underwater photography story has to make sense.
I saw a future mother having fun immersing her eldest son in the crystal clear waters. This moment was so beautiful from below. When I returned to France, I did not hesitate a second; it was a revelation to me. Underwater photography was going to occupy a big place in my life from now on. I was looking forward to setting up a service combining photography and the underwater world. So I imagined an experience that allowed me to share my passion for water and my photographic practice. A real treat both in the pool and in the wild. I started by training to ensure the safety of my sessions and control my body underwater. Then I developed my own aqua-photographic techniques. In 2014, I sold my first sessions.
Alison Bounce: Underwater photography requires a lot of preparation. I like to have long discussions with my muses about the images we will create together. In my mind, we are a team: the water, my Muses, my Assistants, and I. I love to draw some sketches to share my vision of the project with them. On the day, because of the emotions, we create more than the basic mood board. And the final touch comes during post-processing. This is where I fine-tune my style.
Alison Bounce: Colours are information. Underwater, the light being weaker, colors naturally turn blue and green. Red evaporates. In my retouching work, I like to keep this part of realism. My greatest inspiration comes from the paintings of the renaissance. The warm, almost monochrome tones, are simply driven by the cameos of light. I like to apply this to my images.
Alison Bounce: Thank you for highlighting it. It’s very important to me that my images are recognizable to everyone. Since I started photography, I promised myself that I would be able to photograph everyone, without exceptions. Physical beauty, gender, or ideological criteria are not interesting to me. However, I like to reveal the human being according to their true value. Their expression, their story. Observing a body move in the water speaks volumes. We are all unique and we all have our own way in the water. It is fascinating!
Alison Bounce: When I started underwater portraiture, I did not retouch my images much. I lacked the know-how, to be honest. I quickly learned and pushed my images as far as I could. I created new worlds, creatures with very magical textures. And then I felt like going back to a natural look. I didn’t recognize myself in these “too perfect” images. Today I modify my photos slightly to compensate for the constraints of water. They are more authentic. And it’s a real challenge to get a good photo as soon as you take the shot underwater!
Alison Bounce: Photography is a true means of expression. To answer no to this question would not be honest. Like almost all photographers, I capture moments with my heart. My perception of the world, of the subject. There is a part to respect since they are custom orders and I’m trying not to distort who they are or the products. However, my composition and my lights reinforce the message of my vision, my personality, and somehow my story.
Alison Bounce: The ocean! Immensity and nature together. In my approach, I want to reconcile humans with water. And at the same time raise awareness of the richness it brings us. It is home to so many wonders. We must protect it. Photography at sea is to share a moment of discovery and extraordinary awareness. Photography takes second place in the experience.
Alison Bounce: I published a book. I wrote about the technical skills of underwater photography. It calls “Secret of underwater portrait”. I talk about gear, security, model directions and post-producing. I also had the pleasure to invite underwater photographers friends such as Brett STANLEY, Carlos GONZALEZ and Erena SHIMODA to expose their underwater perceptions. The book is available in French and English PDF on my website.
Be sure to follow Alison Bounce on her Instagram and check out her website.
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